![]() Sometimes this approach helps us find a song's melody, but in this case, the lyrics jumped out. So he ruminated on the theme using what we call marble–mouth lyrics, which means no words, just sounds and syllables. He thought it would be a cool to have the main character's theme turn into a song during the final scene and the closing credits. One day Pete was working on the score for the film, Tattoo: A Love Story. It hangs over our kitchen, dining & living rooms. The second floor is an open loft that houses the recording studio console where Pete writes, records and engineers. ![]() ![]() Our home, which doubles as our work space, has an open floor plan. This is the story of a song I co-wrote in 2002 with my partner Pete Droge called, "Going Whichever Way the Wind Blows." ![]() No, the music! Both at the same time? Really, it happens all of these ways. What comes first, the music or the words? A question often asked of songwriters. The answer is most definitely, the words. ![]()
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